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ここを編集 #ref error :ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (SuperNova.jpg) MISSION OBJECTIVE Seize the Zel Naga Artifact CREDIT REWARD 120,000 RESEARCH OPPORTUNITIES +4 Protoss Research +実績 10_Supernova.jpgSupernova [15] Complete all mission objectives in the "Supernova" mission. ミッション 【Supernova】 中のクリア目標を全て達成せよ。 11_Cool%20Running.jpgCool Running [10] Complete the "Supernova" mission on Normal difficulty without losing a unit to the wall of fire. ミッション 【Supernova】 難易度 "Normal" を、炎壁によって1体のユニットを失うことなく達成せよ。。 12_Shock%20%27n%27%20Awe.jpgShock n Awe [10] Kill 75 enemy units or structures with cloaked Banshees in the "Supernova" mission on Hard difficulty. ミッション 【Supernova】 難易度 "Hard" において、75体の敵ユニット又は建物を、クローク状態のバンシーで破壊せよ。 ミッション・ブリーフィング ▽惑星(Typhon XI) This remote world is part of an extremely old system, as indicated by its in increasingly unstable sun. This, combined with sparse mineral deposits, has always made Typhon a hard candidate for colonization. Nonetheless, a significant Tal darim expeditionary force is present. この僻地の惑星は、太陽がますます不安定さを増していることからもわかる通り、極めて古い星系の一部である。加えて鉱物資源もまばらであることから、タイフォンはまず植民星の候補にはなりえなかった。にもかかわらず、かなりの規模のタルダリム遠征軍が駐留している。 ▽打ち合わせ Tychus Moebius ve got themselves set-up again since the zerg chased em outta their old place. They say they ve worked out where to find another artifact, lovely little place called Typhon. メビウスはこないだザーグに旧居を追い出されたが、なんとか活動を再開したようだ。そんで次にアーティファクトを探す場所を決めたそうだぜ。それがこのタイフォンというステキな場所さ。 ミッション開始シーン Tychus There she is - planet Typhon. Don t look so bad. そこに居られるお嬢さんは - タイフォン星だ。見た目は悪かねぇな。 Horner Yep. Sensors indicate.... はい。センサーが示すには... <星が閃光に包まれる> Horner Wait, what the - 待ってください、何だこれは - Horner The star s energy output just jumped five hundred percent! I ve never seen anything like it! 星のエネルギー放出量が500パーセントに跳ね上がっています!この様なのは見た事が無い! Raynor Slow down, Matt. What s it mean? 落ち着け、マット。どういう事だ Horner It means the star will go nova in a few hours. 太陽が2,3時間後に超新星爆発を起こすということです。 Horner Meantime the planet s getting bombarded by waves of fire... その間中、炎の波によって惑星が焼き尽くされるのです... Raynor Fire. Why does it always have to be fire... 炎か。何でいつも炎に巻かれるんだか... Horner The good news is, we ve got a significant cache of supplies planetside, so we shouldn t need to build supply depots. いい知らせです、惑星上に十分な補給物資が貯蔵されているのを捕捉したので、サプライデポットを建てる必要はありません。 Raynor Well, that s something. So where s our artifact? ああ、そいつは良い事だ。それで俺たちのアーティファクトの場所は? Tychus Right there - smack dab in the middle of all them protoss... そこだ - プロトスの奴らの真っ只中にある... Raynor Our mobile structures can relocate and keep us just ahead of the fire, but we ll need to salvage everything we can t take with us. こちらの機動建造物は場所を変更して、炎の前方に位置を保つ、だが持っていけない物は回収してく必要があるぞ。 Tychus You ain t seriously goin down there? どうしても降りねぇとなんねぇのか? Raynor C mon partner, we got hours till that sun explodes! 頼むぜ相棒、太陽がドカンと行くまでしか時間が無いんだ! Tychus Well let s grab that artifact and get outta here before your Queen of Blades shows up lookin for it. ああ、アーティファクトを掴んだら、刃の女王がこっちを見つける前にオサラバしちまおうぜ。 ミッション中 Swann Hope you brought your sun-screen, cowboy. 日焼け止め要るなら送るぞ、カウボーイ。 Raynor Now ain t the time, Swann. 時間が無いんだ、スワン。 Swann Relax, hotshot. I got something useful for ya ; Banshees. These babies can blow the snot outta ground forces. Got cloaking too. Gotta love that! 落ち着けって、上官殿。役に立つものを送るぞ、バンシーだ。このカワイコちゃんは地上軍のウザったい奴等を吹き飛ばせるぞ。クローク機能も持ってるからな。きっと気に入るぞ! Tutorial-Banshee Cloaked aerial bomber - Banshee are powerful air-to-ground units armed with precision firing missiles. They have the ability to Cloak themselves to allow for devastating sneak attacks. Banshees can be build at the Starport. Banshee クロークが可能な爆撃機-バンシーは精密なミサイルを装備した強力な対地ユニットです。特殊能力としてクロークを持ち、気づかれずに爆撃をすることができます。バンシーはスターポートで生産できます。 Tutorial-Banshee Cloak Cloak allows Banshees to become invisible and make strategic strikes on enemy positions deep within enemy territory. Watch out for Detectors like Photon Cannons and Observers! バンシー・クローク クロークを使用すると、バンシーが不可視となり、敵陣の奥深くでの戦略的な攻撃に使用することができます。ただし、フォトンキャノンやオブザーバーなどには検知されてしまうので気をつけてください。 Swann Whoa! Careful of those protoss cannons! They can detect banshees even when they re cloaked! ワーオ!プロトスの砲台じゃないか!あれにはバンシーがクロークしても探知されるぞ! <ミネラル付近制圧完了> Raynor Nice job, let s get our base up and running and get that artifact! よくやった、基地を展開し急いでアーティファクトを手に入れろ! <炎の壁接近> Adjutant Warning. Fire wave approaching. 警告。炎の波が接近中。 Tutorial-Wall of Fire The planet is being bombarded by solar flares from the nearby sun. This creates a slow-moving Wall of Fire that will destroy everything in its path. Terran structures can use the Lief Off ability to move safely away from the wall of fire. 炎の壁:惑星は太陽から放出されたフレアによって焼き尽くされつつあります。フレアはゆっくりと移動する炎の壁を作り、通り道にあるすべてのものを破壊します。Terranの建物は特殊能力Lief Offを使い、炎の壁から逃れた安全な場所へ移動することができます。 Adjutant Warning. Fire wave approaching. 警告。炎の波が接近中。 Tal darim Executor James Raynor! We anticipated your arrival! Now you will pay for desecrating our holy relics! ジェームズ・レイナー!貴様が来る事は予期していたぞ!我らの聖遺物を汚す償いをしてもらう! Raynor Oh hell, not these Tal darim guys again. They seriously need to learn when to quit. おいマジかよ、またタルダリムの奴等じゃないか。お前らはいい加減退き時って物を学べよ。 <タルダリムの基地:発見> Horner This Tal darim base is in a good spot for us. We just need to clear them out and take possession. このタルダリムの基地はこちらにとって都合の良い場所です。掃討して占拠する必要がありますね。 <炎の壁、基地付近まで到達> Adjutant Warning! Fire-wave arrival is imminent. Base evacuation required! 警告!炎の波の到達まで僅かです!基地を移動させてください! Horner The Tal darim outpost to the east would make an excellent location to move our base to - we just need to clear them out and take possession. 東にあるタルダリムの前哨地点はこちらの基地を移動するのにこの上ない地点です -掃討して占拠する必要がありますね。 <タルダリムの基地:制圧> Raynor The Tal darim base has been cleared, that should buy us a little elbow room. タルダリムの基地を掃討したぞ、少しばかりの余裕は得られただろう。 Tal darim Executor Our warriors sacrifice was not in vain! We gladly march towards death to ensure your doom! 我らの戦士の犠牲は無駄ではない!貴様に悪夢を見せられるのならば喜んで死に向って突き進もうぞ! <[Artifact Valut]破壊> Raynor Ok the artifact s secure! Saddle up people! We re out of here! よし、アーティファクトを確保した!乗り込め!ここからおさらばだ! Tal darim Executor We will pursue you to the end of the universe, James Raynor! A thousand deaths cannot atone for your wanton sacrilege! 宇宙の終焉まで貴様を追い詰めるぞ、ジェームズ・レイナー!千の死をもってしも貴様の不当な冒涜は贖えぬのだ! ミッション達成後 シネマ【HEIR APPARENT】挿入 HYPERION LAB 2 Hours Later ハイペリオン 研究室 2時間後 <レイナー、ラボにてヴァレリアンの話した事を回想する> Valerian The artifact fragments you ve been collecting are of Xel Naga origin. With them, I can construct a device that will reverse the infestation that transformed Kerrigan into the Queen of Blades. あなた方が集めてきたアーティファクトの欠片は、ゼル・ナーガに由来している。これらがあれば、ケリガンを刃の女王たらしめている感染要素のみを取り除く装置を作ることが可能なのだ。 Valerian You re the only man who s been close to her and lived to tell the tale. You know her tactics, you know her strategies - and I know you d risk anything for the chance to bring her back. 生きてケリガンに近づくことが可能なあなたにしかできない話なのです。あなたは彼女の戦術に詳しく、彼女との駆け引きにも長けている――そしてなにより彼女を元の姿に戻すチャンスがあるならば、あなたは決して躊躇わない人だ。 <レイナー、ブリッジに戻る> Horner Sir, tell me you re not seriously considering this deal with Valerian! サー、ヴァレリアンとこんな取引、まともに取り合ってないと言っていただけませんか! Tychus Sounds like a golden deal to me, Jimmy. Kerrigan turns human, takes a bullet between the eyes... You can put your past to rest and still make one hell of a payday! オレには最高の取引だぜ、ジミー。ケリガンは人間に戻り、脳天に銃弾食らって贖罪だ...それであんたは過去を捨て去って最高の名誉と金を手に入れるってな訳だ! Raynor Let s not get ahead of ourselves, Tychus... 先走りはよしてくれ、タイカス... Horner Assaulting Char is a suicide mission! You d be putting all our lives on the line just to get your girlfriend back! 惑星チャーの襲撃など自殺行為です! あなたは彼女を助けるために我々全員の命を賭けようと言うのですか! Raynor This is bigger than all of us, Matt! It ain t about me. This is the only real chance we re ever gonna get. And I m takin it. これは俺達だけの話じゃない、マット! おれの為でもない。我々に残された唯一の希望だからこそ、俺はそれを掴み取りに行くんだ Tychus So which is it gonna be, Jimmy? We bringin Kerrigan back... or puttin her in the ground? それはどっちなんだ、ジミー。ケリガンを助けるのか....それとも地に伏させるためか? Raynor That s for me to decide. You ve both got a lot of prep work to do -- get to it! それは俺が決めることだ。どっちにしようがやるべき準備があるだろ――さっさと取り掛かれ! ▼Armory ▽Banshee WOF-Armory参照のこと。 ▽Armory Console - Banshee WOF-ArmoryUpgrades参照のこと。 ▽Swann Raynor So...what s the problem, Swann? で...どうしたんだ、スワン? Swann What s the problem? You only signed us up with our mortal enemies! Every one of these boys lost family or friends to Mengsk! We re gonna be sittin on a powder keg pretty soon. Can t you see that? どうしたかって?おめぇさんはわし等の仇敵と手を組んじまったんだ! ここの奴らは皆メンスクに家族や友を奪われたんだぞ! もう少しで甘美な酒を浴びれたはずだ。そうだろ? Raynor It ain t up for discussion, Swann. I gotta do this. 議論をする気はねぇ、スワン。とにかくやるんだ。 ▼Bridge Horner Sir, We re receiving a transmission from the Bucephalus. Prince Valerian s holding on the communicator for you.(Bridgeに入ると勝手に話しだす) サー、ブセファルスから通信が入っております。ヴァレリアン殿下があなたの返事を待っています。 ▽Horner Horner Sir, I have to question your objectivity on this alliance. It s obviously a trap! サー、この同盟に関してもう一度検討すべきです。これは明らかに罠です! Raynor I got it covered, Matt. I m askin you to trust me. その話は終わっただろ、マット。俺を信じてくれ。 Horner We were starting to make real progress against Mengsk. If we go after the Queen of Blades, we re throwing that away! 我々はメンスクに反旗を上げここまで辿りついたのです。ここで我々が刃の女王の元へ向かうとなれば、それを全て投げ出すことになるんですよ! Raynor This is bigger than Mengsk. Matt, if we succeed on Char, we ll save billions of lives. Billions. これはメンスクより重要なことなんだ。マット、惑星チャーでの作戦が成功すれば、我々は膨大な数の命を救う事になるんだ。とても膨大な命を。 Raynor Mengsk can wait. メンスクは後回しにできる。 Horner I didn t sign up for this. 納得いきません。 Raynor You signed up to follow my orders! If you can t do that anymore then get the hell off my ship! お前は私の指示にただ従えばいいんだ!それでも納得できないのなら、この船から出て行け! Horner Sir. 了解。(怒りを内にしまいながら) ▽Communicator Valerian Ah, Commander Raynor. I thought we might discuss the expedition to Char. Now -- あー、レイナー司令官。惑星チャーへの遠征に関して、我々は議論すべきだと思うんだが。今―― Raynor This is a dangerous game you re playing, kid. What s your stake in all this? 非常に危険なゲームを遊んでいるんだぜ、坊や。お前は何が望み? Valerian Jim. I really think we should -- ジム、私は本当に―― <レイナー、通信をいきなり切る> <間をおいて、通信を再開> Valerian I can see why my father wants to kill you. 父が何故あなたを殺したがるのか、わかる気がしたよ。 Raynor I asked you a question. 俺の質問に答えな。 Valerian Everyone wonders if I will be as good an emperor as my father. But I want something more. To prove that I will be a better emperor. And a better man. 皆憂いているんだ、私が父のような良き皇帝となれるのかと。しかし、私は父以上を望んでいる。私がよりすばらしい皇帝になる事を証明しなければ。そして人としても。 Raynor That shouldn t be hard. そら難しいことじゃないと思うがね。 Valerian If I reform the worst mass murderer in history, make her human again... teamed with the famous outlaw Jim Raynor... it s all the proof I ll need. もし史上最悪の殺人鬼を改心させ、彼女を人間に戻すことができたとしたら。お尋ね者であるジム・レイナーと手を組んで…。その全てが証明になる。 Raynor So I m just a cog in your machine. つまり俺はあんたの歯車になるってわけだ。 Valerian If it gets you what you want, do you care? そうすることであなたも欲しいものを手に入れられるとしたら、どうかな? Raynor Guess I don t. 悪くない。 ▽Tychus Tychus You sure about this? You gotta know Mengsk is gunnin for ya. He ll hit you in a way you ll never see coming. いいのか?メンスクはあんたに銃を向けてくるぜ。道中であんたは撃たれて、二度と会えないわけだ。 Raynor I can handle Mengsk, Tychus. オレならメンスクを手懐けられる、タイカス。 Tychus Just watch your back, ol buddy. That s all I m askin . 背中に気をつけるんだな、相棒。オレの忠告は聞いておけ。 Raynor I said I can handle it! If you don t want to be a part of this, you can take your thirty percent and go. 手懐けられるといってるんだ!気に入らなけりゃお前の取り分30%持って何処へでも行っちまえ。 ▼Cantina ▽News【ZERG】 Lockwell This is Kate Lockwell for UNN. Tonight, top Dominion military analysts are still confused -- and relieved -- to report that while attacks do continue throughout the fringe, the main zerg push into Dominion space seems to have slowed. UNNのケイト・ロックウェルです。今夜、ドミニオンの最高軍事分析官は今なお混乱しながらも―しかしほっとした様子で、報告を述べました。辺境では襲撃が続いているものの、ドミニオン宙域における最前線のザーグの攻勢はどうやら弱まったようだとのことです。 Vermillion That s wonderful news Kate. Our boys have really taken the fight to the zerg! 素晴らしいニュースですねケイト。我等の兵士たちはみごとザーグに押し勝ったわけです! Lockwell Of course, Donny. But there s also a sense that whatever the zerg were after... they either got it, or they ve given up on it. We may never know. その通りです、ドニー。しかしザーグが他にも何かを追って行った形跡があるんだけど...彼らが捕らえたのか、それとも見切りを付けたのかのどちらかでしょうけど、私達には分からないでしょうね。 Vermillion You heard it here first. 速報をお届けいたしました。 ▽Mercenaries 【Dusk Wings】解除 ∵Tosh Tosh I hear you ve been makin friends. That Valerian s tougher than he looks. He had to survive all alone while his daddy was off conquering the Sector. お友達を作ったって聞いたぜ。あのヴァレリアンという奴は見た目よりタフだ。父親がセクターの征服に明け暮れてる間、奴はずっと独りで生き延びなきゃならなかったんだからな。 ▼Laboratory ▽Artifacts(Hansonが居ない場合) Raynor So these artifacts are the key to freeing Kerrigan... これらアーティファクトがケリガンを救うカギか... Raynor Pretty amazing coincidence, Tychus just showing up out of the blue... offering us the job to collect these damn things. タイカスはこれらを収集する仕事を持ちかけてきたが... 思いもしないような偶然の巡り合わせだな。 Stetmann Statistically, sir -- the probability of coincidence is miniscule. However, these artifacts do represent a power beyond our current scientific understanding... サー、統計的にですが――偶然の一致というものは無いそうですよ。何にせよ、これらアーティファクトが秘める力は私達の科学知識をはるかに越えているということです。 Stetmann If anything could the give the Queen of Blades pause - perhaps these are it? 刃の女王に何らかの影響を与えたのならば――もしかしたら、もしかするかも? Raynor All this... ancient alien hocus-pocus is a little outta my pay scale. I just pray that when the time comes... こういう... 古の化物の奇術は全部、俺の理解の範疇の外だ。その時が着たら祈るだけさ... Raynor ...these things bring her back to me. ...これらが彼女をオレの元へ帰してくれるように。 ▽Artifacts(Hansonが居る場合) Hanson Jim, I hear that we re working for the Dominion now. Is that true? ジム、私達が今、ドミニオンの為に活動しているって聞いたんだけど、本当なの? Raynor We ve got a chance to take on Kerrigan and maybe, just maybe, set things right. The devil himself could offer me that deal and I d still take it. 俺達はケリガンに立ち向かうチャンスを得たんだ。 そして多分、本当に万が一だが、うまくいくかもしれない。これが悪魔からの取引だったとしても俺は受けただろう。 Hanson [Sad 70]That s what worries me. [/Sad]Just don t lose sight of who you are - that s what s important. A lot of people are counting on you and... I m one of em. [Sad 70]私はそれが心配なの。 [/Sad]あなたが一体何者なのかを見失わないで・・それって重要だわ。 たくさんの人々が、あなたに期待しているわ...私もその中の一人よ。 Raynor Valerian reckons this thing can...de-zergify Kerrigan once it s rebuilt. Do you think that s even possible? ヴァレリアンは、ひとたびこいつを復元できりゃ、ケリガンを…「ザーグ化」から元に戻せるって言ってた。そんなことできると思うか? Hanson From what I ve managed to piece together, it might be. The artifact seems to absorb protoss energy. If the same holds true for zerg... 私がかき集めた限りの情報から判断すれば…可能性はあるわね。このアーティファクトはプロトスのエネルギーを吸収するみたいだから。もしザーグに対しても同じように働くなら… Raynor (Snaps) Just yes or no, Ariel. I need an answer! イエスかノーかで答えてくれ、アリエル。答が必要なんだ! Hanson (snaps back) If I said no would you even believe me? The only person that can really know what the artifact does is the one who made it - and they re long gone...I hope. もし「ノー」って答えたら信じるわけ?このアーティファクトがなんなのか本当に知ってるのはこれを作った人だけよ。そしてその人達はもういないの…きっと。 ▽Hanson Hanson Jim, I hear that we re working for the Dominion now. Is that true? ジム、私たちが今、ドミニオンのために活動しているって聞いたわ。本当なの? Raynor We ve got a chance to take on Kerrigan and maybe, just maybe, set things right. The devil himself could offer me that deal and I d still take it. 俺達はケリガンを取り戻すチャンスを得た、そして上手く...上手くいけば元に戻せるかもしれない。これが悪魔からの取引だったとしても俺は受けただろう。 Hanson [Sad 70]That s what worries me. [/Sad]Just don t lose sight of who you are - that s what s important. A lot of people are counting on you and... I m one of em. 私はそれが心配なの。あなたが一体何者なのかを見失わないで――それって重要よ。 たくさんの人々が、あなたに期待しているわ...私もその中の一人よ。 ここを編集
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Overview The Social Media Security Market Companies is anticipated to grow by US$1.9 billion by 2027 rapidly growing at a CAGR of 17% during the forecast period. The drivers for the growth of the social media security market are the rising number of attacks across social media networks, growing social media site use on computers and the recognition of BYOD trends by businesses.. These factors have helped shape the social media security market and are expected to boost the growth. Companies in the social media security market could also face challenges such as lack of awareness among companies as well as weak data protection policies. The details covered in the social media security market report cover all the aspects of the industry. Analysts studying the social media security market have also shared growth projections in the report and have suggested social media security market players to plan business strategies accordingly. Market Segmentation The global social media security market has been segmented based on vertical, solution, security type, organization size, and deployment. On the basis of vertical, the market for social media security is segmented based on BFSI. Additionally, the market on the basis of solution, is segmented into advanced threat protection. The global market for social media security is also covered based on the security type segment which is further split into cloud security, data security. On the basis of deployment, the market for social media security is segmented based on on-cloud. Additionally, the market on the basis of organization size, is segmented into large enterprises. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6842 Factors like no acceptable protection procedures, no corporate social media policies and no staff training, support the social media security market growth. The performance of the social media security market has also been studied for the past and current years. Additionally, the social media security market report provides analysis of these segments. The social media security market segmental analysis provided in the report offers major details about the social media security market based on the data and forecasts till 2027. Regional Overview Companies in the social media security market are spread across the world. The social media security market report provides major information about regional markets of North America, Europe, Asia-Pacific (APAC), and the rest of the world. The North American social media security market has many companies across the United States, Canada, and Mexico. The social media security market of the Middle East, Africa, and other regions has also been studied by analysts. The regional analysis of the social media security market can be found in the market research report. Europe has companies in the social media security market across Germany, France, Spain, Italy, and the United Kingdom. A detailed analysis of the social media security market across India, China, and Japan in the Asia-Pacific region is also presented in the report. Competitive Landscape The social media security market is supported by big leaders from well-established companies across the United States, and Canada who spend heavily on research and development to protect information security for the enactment of enterprise data are growing.. The population growth around the world and increasing demand of social media security market based services and products also support the market growth. However, the social media security market growth can be affected due to lack of safety and data protection policies even during the increasing adoption of social media platforms. The report covers all such details which will help companies in the social media security market to strengthen their business plan and improve their product portfolio. The social media security market research report also provides company profiles of major companies. The company profiles of many organizations operating in the social media security market report highlights crucial details like company size, revenue growth, and details of mergers and acquisitions taking place in the social media security market. New companies and established businesses can plan their strategies based on this data provided in the social media security market research report. Industry News Francisco Partners, the world s top science innovator that specializes in engaging with data and technology companies, today confirmed that it is closing the previously announced Raytheon Technologies purchase of the full contract. Forcepoint is a marketing supplier of information protection tools that secure the primary data and networks of thousands of users around the globe. The board of directors of the company has immediately named Manny Rivelo as chief executive officer (CEO), at the same time that the agreement was closed and opened. On the contrary, risk associated with social engineering, failure to understand the organizations exact needs, and lack of common laws across countries and cross-boundary location of servers may limit the global social media security market growth over the forecast period. Access Report Details @ https //www.marketresearchfuture.com/reports/social-media-security-market-6842 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Markets Structure 3 Market Research Methodology 3.1 Research Process 3.2 Secondary Research 3.3 Primary Research 3.4 Forecast Model Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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【登録タグ Alstroemeria Records F Trois Noir 曲 美里 萃夢想】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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【登録タグ B SOUND HOLIC SYO ハルトマンの妖怪少女 地 -KUNI- 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*